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Chapter Forty: The Plagiarism of Ancient Athens

It started from an attack, and ended up deep below the North Atlantic Ocean. Atlantis may have been portrayed in many different ways, good or bad, but its exact location has never been known. For the great writings of Plato, a very capable prophet who penned an extravagant exhortation regarding the circumstances in the book title of the Republic, the fate of Atlantis has been passionately described and told as a tragic but courageous tale, only to disappear completely from its own pages of storytelling and into oblivion. Lost somewhere very deep.

What is being sold with regards to the surrounding tales of Atlantis is not its beauty or even the rarity of its existence, but the way it was vanished from the common knowledge of those who knew the back story of Ancient Athens. But what was actually hidden from the solemn reading of the classical literature pertaining to the principles surrounding the necessity of the State and its fictional allegory to the mountainous greed of those who inspired the commonality in the concepts of political theory is a different matter altogether that requires a separate notion.


However, in the middle of the mortal search for Atlantis apart from its relationship to the Greek gods and the presence of Athena in the superior narrative that defines the Greek fine art surviving today in its glorious state, there exists a crime that relates to the subtle theft of metaphysical identity that corresponds to the missing puzzle piece of the lost city of Atlantis.

There was an allegation in the critique of modern literature (that traces it roots to the study of antiquity) that relates to the crime of the "plagiarism of life," as someone intellectual might confidently allege. This plagiarist tendency of a soul to steal the invisible properties of a life as it strives to duplicate the manifestation of others into a definite and observable construct of behavior, ideals, or principle, with the corresponding evidence in the debate of philosophy, as it endeavors to answer the question of existence into a moderate form of celestial interest that then converted into, through time, the presence of faith.

Whether or not Atlantis did exist as a modern city that it is understood today or it is not, the literary pursuit in creatively writing the activity of the Greek gods have made it certain that it substantially exists, even though the exact form of its existence is unclear. In a more futuristic world, humanity has defined this principle as the theory composing the parallel intent.

This gray area in the many pursuits of writing the significance of arts, literature, and history gave birth to this anomalous act of plagiarism that desecrates the originality of life and its surrounding experiences. As redundancy ensues in the words used, the style exhibited and the eloquence of speech and drama became the norm, the Greek gods themselves have been changed, reduced down in the level of creative fiction, and they, too, vanished from the efficacy of the tales in favor of the nourishment of the soul.

Plagiarism (especially of someone else's life) is a disgusting act that have been tolerated for far too long in the free channels of visual and written media, but its negative implications with far-reaching complications have been deflected properly without causing any substantial injury to the integrity of the Greek gods.

Yet, plagiarism cannot be condoned anymore; a group of elite Anti-Plagiarists is needing for the own sake of preserving the common good of the urban legends. And also, the ensuing myths that eventually receives the notary of the rhetorics.

A concrete action must take place. At once, it must be done, and with certainty.

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Picture from Pexels.

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